Friday, February 13, 2015

Lullaby First Draft Progress: 25 scenes to go

I'm using Scrivener to write Lullaby (software I highly recommend to anyone doing any sort of creative writing). In the program, I first outlined my manuscript-in-progress into five parts - five Issues, if you will, as though the novel were a season or an arc of a television series. Each of these issues is then broken down into three or four acts (a beginning, middle and end and sometimes a forward or afterward, depending on the issue). Each of these acts is then broken down into different scenes, which I write one at a time. I haven't decided precisely where my chapter breaks will fall yet; since this story is told entirely from one person's perspective I have a little bit more wiggle room than I do in, say, Noose. Lullaby has nearly one hundred scenes in my outline, though the number has fluctuated to accommodate changes in the story. Currently I have twenty-five scenes to write first drafts of by the end of February. It will be a challenge, but I'm confidant that I will be able to meet the challenge and I'm looking forward to have a full first-draft manuscript to begin revising in March!

In the meantime, enjoy this screencapture of the manuscript-in-progress. I hope that it will give you a general sort of idea about the process I'm using to write. I've blurred/censored out some spoilery bits and highlighted where some of the Issues are in my outline to give you an idea of how it works.


I'm having fun with the writing again! Hooray! Now I just need to buckle down and finish this draft. Two weeks to go!

Media Review: "An Unwelcome Quest"

This is my goodreads.com review of the third "Magic 2.0" novel from the series by Scott Meyer (best known for his webcomic "Basic Instructions"). If you haven't read the series, I highly recommend that you do so, starting with the excellent "Off to be the Wizard." The books are extremely clever science-fiction comedy in the vein of Douglas Adams, and should be read by everyone.

An Unwelcome Quest (Magic 2.0 #3)An Unwelcome Quest by Scott Meyer
My rating: 4 of 5 stars

The first two novels in the Magic 2.0 series were fantastic, and while I feel that "An Unwelcome Quest" did not quite measure up to the first two books, it was still an excellent read. Meyer is writing some of the cleverest, most underappreciated stuff currently in print (certainly the best current works in the niche genre of Sci-fi Comedy) and he continues to deftly build his world and characters in creative and entertaining ways. It was extremely rewarding to have a whole novels' worth of the Phillip/Jimmy dynamic that we've only gotten tantalizing glimpses of in the past, and the characters of Tyler, Gary and Roy are far more compelling now that I've gone on this journey with them. Todd was an entertaining villain, though I had a somewhat hard time adjusting from "surly teenager" Todd (that we saw in Spell or High Water and the prologue) to the "surly adult" Todd that tormented the wizards through the story. That said, Todd's interactions with Tyler were some of the best moments of the novel, and I was definitely fully on-board with adult Todd by the end.

Now for some of the issues I had: I really missed the Martin/Phillip interactions that I've grown to love over the course of the series. Splitting the characters into two groups did let us see some fun character interactions that we might not have been able to see otherwise, but I always felt that Martin/Phillip interactions were the highlights of the series, and I feel like this book suffers somewhat from their separation. I also felt like having the second group follow more-or-less in the footsteps of the first group made their journey feel a little tedious. I felt that reading the descriptions of places we've already seen and the dialog of NPCs we've already met made their story drag a bit. Finally, I was disappointed by the lack of Murphy and Miller. They were some of my favorite characters in the series, and they were sorely missed in this volume.

I really liked the ending of this book. Jimmy has become one of my favorite characters, and I especially loved the conclusion to his part of the story. I enjoyed the book overall, and I really hope that we will see more in the series.

View all my reviews

Thursday, February 05, 2015

Building with Friends (Lego Tower Bridge)

Those of you who know me well will be aware of my long and storied relationship with the best toy in history: Lego bricks. Last night my wife and I went to help my best friend Jesse and his wife in building one of the biggest, most iconic Lego sets in the modern age: The Tower Bridge (10214, 4287 pieces)

It was a very daunting task, made more so by the fact that the set was developed before Lego instituted the use of numbered bags for their larger sets. However, working in two teams to build the towers simultaneously, we ultimately succeeded in finishing our portion of the build. It was a lot of fun to watch the towers slowly take shape. I would definitely recommend this set to people who are interested in building Lego as a group project, as it is very large and has the two elements that can be worked on at the same time, which helps to cut down on waiting around for it to be your turn to build.



Friday, January 30, 2015

Creative Goals for MMXV

I'm going to post this here so that I can periodically check back and see how I'm doing throughout the year. Here are my creative goals, and a very general time frame of when I'd like to accomplish them.

February: Finish a first draft of Lullaby
March: Begin my workshop draft of Lullaby
April: Work on my workshop draft of Lullaby
May: Finish my workshop draft of Lullaby
June: Edit Lullaby, begin shopping it to agents, begin writing a stageplay*
July: Stageplay writing
August: Stageplay writing
September: Stageplay editing
October: Arrange one (or more) of my musical compositions for an ensemble
November: Record the musical composition
December: "A Christmas Carol" production with Players of the Stage

*I'm torn between two stageplays that I've done a bunch of pre-writing for. One of them is a modern take on Little Women, set in the world of fundamentalist conservative homeschooling (which bears a surprising number of parallels to the world of trandscendentalism in which the original was set) It is a coming-of-age story about making your own place in the world and choosing your own path deliberately. The other play I might work on is a science fiction story set entirely in a small shuttle. It is a small cast - perhaps only two actors, though it might be as many as four when all is said and done. It is the story of a bounty hunter and her captive, and is about the concept of trust. I'm very excited about both of these ideas, and I plan to write them both eventually, but I'm not sure yet which one I want to write first.

Further out, I have lots of other projects planned:

  • Write whichever of those stageplays I don't get to this year.
  • Write and produce a feature with my frequent collaborator Jesse Kalavoda (we're working on developing a road-trip drama picture, hopefully we'll have more news on that soon)
  • Finish writing Noose, my post-post-apocalyptic epic fantasy novel. Noose is set in North America about 200 years after a zombie apocalypse has destroyed the infrastructure of our society. The threat is mostly over, but society has developed into a more-nearly feudal state.
  • Finish writing the sequels to both Lullaby and Noose (both are currently planned as four-book series, though Lullaby could probably be squeezed into three and Noose could certainly be expanded into a larger work).
  • Write the two musicals I have on the back-burner right now. One is set in the Lullaby world. It's sort of a dystopian Grapes Of Wrath meets Finding Nemo. Something like that.
  • The other is a Arthurian musical called "Four Nights." It's designed to have four different storylines happening simultaneously (and with complimentary music) in four different rooms or areas. The storylines converge in one central location several times to progress the story, and then the scenes repeat again so that the audience is able to see each of the four stories play out in whichever order they choose. The storylines are interconnected and the order in which they are watched will have a big impact on your perception of what is really going on.
That's the list of everything I can think of off the top of my head that I'm working on right now. I'll probably also spend some time composing and recording original instrumental pieces, but right now I don't have any concrete plans for those, I mostly let them come when they feel like it.

Tuesday, January 27, 2015

Lullaby: The Last Weeks

In 2013, I participated in my local NaNoWriMo group for the first time. Although I didn't win, I did get a good start on a project I've been working on in one format or another since the early aughts. Originally, Lullaby was intended to be a television series, then a stage musical, but in the end (in the interest of ease, since working without collaboration is usually less complicated) I decided to write it as a novel.  Lullaby was a lot of fun to work on during NaNo... Mostly because I wrote all of the fun parts. Now I have a large chunk of the manuscript, and my goal is to finish a first draft by the end of February, have a workshop draft finished by the end of May, run a weekend workshopping session with my artists group Ekphrasis, and then re-edit and begin shopping it by the end of June.



Lullaby is a dystopian novel in which a young musician finds himself leading a group of revolutionaries and navigating a web of secrecy in a desperate bid for freedom.

The novel is written in five acts. Currently act one and most of acts two and four are written, as well as a good portion of act five. Act three is giving a me a lot of trouble, but I have to tackle it sooner or later! Check back here often for updates, and bug me if I haven't written any for a while.

Instabam: Art from The Reckoners fanart contest

I've been ravenously reading the collected works of the person who has quickly become my favorite living author: Brandon Sanderson. A ton of his works are part of a shared universe that he calls the Cosmere (there is a whole forum dedicated to people endlessly discussing the workings of those worlds), but he recently has published the first two books in a new YA science fiction trilogy called The Reckoners. To promote the release of the second book, Firefight, a fanart contest was held. My contribution was this photo I did (using myself as a model, naturally) of one of the villians of the series, an Epic called Instabam. In the series, you never actually see this character, he dies off-screen in between books one and two sometime, but the name gave me a flash of inspiration. I won the contest, too(one of ten prizes)! Enjoy.


Monday, January 29, 2007

Flight in Dreams Part I - The Building

Last night I had a vivid dream. Unlike most of my dreams, it stuck with me after I woke up. It is too long to put into one post, so I will be doing 3 or 4 posts over the next 2 weeks. This is Part I.

THE BEGINNING


It started in Washington DC. I’d like to say I was visiting Kiersten and Thor, but my whole family was there except for Mike, so it’s much more likely that we were going to the National Air and Space Museum. Then the news came over the loudspeakers lining the streets: everyone needed to get inside of a building, there was going to be an iron curfew – you had to stay put, inside of a building – until you were rescued by the National Guard. The liberation would start in Washington and go outward, but the curfew was in immediate effect for the whole country except for Hawaii and Alaska. Anyone seen out walking would be considered a zombie threat, and fired upon. No sooner had this announcement finished (People were still digesting it in their minds, they couldn’t believe this was happening) then huge turrets started to unfold out of the ground. Even though there was clearly not a zombie to be seen anywhere, as soon as the turrets finished putting themselves together, they opened fire arbitrarily on the crowd. They didn’t have particularly good aim, but the shots were deadly and we ran like hell. I noticed an abandoned warehouse that looked kind of familiar, so we ducked inside.

As we looked around we realized that Mom, Dad, Paul and Ruth were all gone. My sister Abby couldn’t stop shaking, eventually we got out of her that Ruth had been holding her hand when she was torn to pieces by the turrets. After taking a few minutes to try and pull ourselves together, I sat down and began to form a plan. I knew that the basement of Ritter’s (The pharmacy where I work) had been designed to keep Zombies out – you could live there indefinitely thanks to the canned goods which I had stockpiled and the shallow stream running through (I think the stream idea came from the Daniel Boone Homestead). I also knew that I had a few friends like Gabe, Bill Hill and my brother Mike back in the Lehigh Valley who would be formidable zombie killers. I explained all of these things to my remaining siblings. I explained to them as calmly as I could all of the reasons that we needed to get back home, while at the same time keeping in mind that we would be passing through Philadelphia on the way there, so we could pick up my girlfriend Rachel (who was visiting Anna & Jon) – I had a feeling that Rachel wouldn’t think much of this “curfew” either, so we had to get there soon. I told everyone to take an hour to search the warehouse and try to find anything useful. A handful of other people had followed me in, and I told them that they could come with us as well (No one really wanted to wait around for the National Guard after the turrets). As I turned around, I realized what the warehouse was – it was a building that has recurred in my nightmares ever since I was a young child.

THE BUILDING

The first floor has the Safe Haven – it doesn’t feel very safe, it’s very bare, with concrete floors, old dusty typewriters, and once colorful huge paintings adorning the walls, now faded to the point that you can’t even make out what the painting originally was. There isn’t much to do here, certainly nothing useful anywhere, but it is “Safe.” You can’t be attacked while you are in it. There are 3 ways out of this room – two obvious ways and a secret way. I always know the secret way, because I’ve been here before. The first time I had the dream, I found the secret way and it saved my life. The first and most obvious way out is an old wooden door, painted red and orange, but the paint is faded and peeling. The door is huge and thin, like a big piece of plywood, and it doesn’t totally fit in the frame. It doesn’t have a knob, just a hole cut out and a bit of rope strung through to pull on. This door leads to a closet with no ceiling. The wall has rungs that you can climb up. Once you get above the level that the safe room is, you have a few options – you can keep climbing up into the second floor directly, or you can veer off into the system of ducts that wind through the building. The ducts are the secret way out of the room, if you move aside one of the tables with typewriters on it, you will see a patch of wood in the wall that doesn’t look quite right. You have to unlock it from the safe room, which always terrifies me when I need to use it – what if it somehow locked me out of the safe room? If you take the ducts, however, you can end up anywhere on the second floor – this can be good, because there are usually things waiting at the main two entrances, but it can also be very dangerous because the second floor can be so disorienting. The third and final way out of the safe room is the most dangerous of all – through the cargo door. At random times, the giant cargo door that is almost a whole wall of the room will lift up into the ceiling. Outside of this door is a huge cavern. I think it used to be some kind of mine, but there was some kind of accident, a lot of people died, and it has been abandoned for hundreds of years. There are only two rooms here – one huge cavern, and a second, slightly smaller cavern, with an old sort of furnace in it. There are bones of some sort in bottom of the furnace, but they look too small to be human bones. I worry that maybe they are children, but I can’t think about it for long, because the other thing in the room springs to life – an old rickety elevator – the caged construction kind, but with wooden planks across the door. The elevator is new; it’s been installed since the mine accident. The elevator should only ever be used in the most dire time of need, because not only is its entrance the most watched, by the second floor, but it is almost impossible to escape to the safe room from it if you are being pursued – huge caverns with no cover, and a cargo door that arbitrarily opens and closes.

This brings us to the second floor. It is partially based on the second floor of Edison’s Used Furniture store – my grandfather’s shop – I was only ever up there once, when I was very young, and it was one of the scariest times of my life. It was pitch black and there were things moving everywhere, I could smell them. The floors were littered with furniture and stuff, so I couldn’t run – I couldn’t even find the stairs down, it was a horrible maze, like the terrifying labyrinth where Theseus faced down the Minotaur. In my nightmare building, there are 3 floors – this labyrinth floor is the second, and you need to get through it to get to the third, where inevitably whatever goal I am striving for is located. There aren’t any stairs up to the third floor, but you just have to get up there through the gradual incline of the second floor. There are ways to cheat, but they are very tricky, and messing them up will all but ensures that you will be caught. The creatures that roam the second floor have no eyes – or at least no useful ones. They recognize you by your scent, but they follow you by the sounds you make. Like the worms in Frank Herbert’s Dune, you can throw them off the trail for a while by walking with no pattern or rhythm. There is a catch to the second floor – a panic door. This is a door which opens when you let yourself succumb to panic and abstract terror. This door is safe; it leads to a beautiful yard lined with tall trees. The grass is green and there is a hot air balloon waiting. In the past, when I have gotten to this yard I wake up. The catch is that in order to get to this yard, you need to let go of all rational and conscious thought and give yourself over entirely to your fears – which for me is the scariest thing of all. I’ve woken up several times once I’ve made it to the yard, with my heart racing and my eyes up in the back of my head. I can’t even think straight for several minutes after I give myself over to this state of mind. As I’ve gotten older, I’ve seen the yard less and less frequently – I think I usually have some kind of a “need” to complete the journey I’m on. Also, each time the yard appeared, I felt like I was more frightened than the last time before it came. I don’t even know how many yards I have left – maybe I only get a certain number and the next time I slip into panic I will be all alone, shaking in a ball in the corridors of the second floor, unable to help myself, with no yard coming to save me. Would I ever wake up? I don’t know, and I don’t want to find out. The second floor is treacherous, without any sort of reliable map or memories. The corridors seem to shift even as I walk them, and things are not always as they seem.

THE ESCAPE

Each time I journey to the third floor, new challenges arise, and in this case my challenge was getting all of these people through with me. I had never been in the building with other people before, and I must admit that it was kind of a relief. I knew that there was no way we were all getting through the second floor if we just went for it, so I knew that some planning was required. I knew from the metallic taste in my mouth that there were watchers at both of the entrances. A few other people who were with me didn’t realize I knew where we were, and they started to figure out our best route. They were all amazed when I walked over, moved the table with the dusty typewriters and revealed the secret entrance to the ducts. I felt pretty smug about this. I finally decided that our best bet was for me to take the secret door and try to draw off the watchers from the closet entrance. Then a few of the older, stronger members of the group would go up the closet and try to draw the remaining watchers off of the elevator, so that the children could take the elevator (The elevator leaves off much closer to the third floor than the other entrances.) Then the closet people would meet up with me in the labyrinth, and we would go through the long way until we eventually met the children on the third floor.

As soon as the cargo bay door went up, the children all shuffled through, led by my brother Paul and Christie, the stage manager from Anna Barshinger’s drama group for children. A few other adults didn’t feel like drawing off the attack, and pretended that they were going to help keep the children organized, even though I explained that Paul and Christie would be plenty to keep them in line. Somehow I knew that the others were only acting out of cowardice, but I didn’t say anything, how could I blame anyone for being afraid, with the zombie invasion and the turrets going on – plus, I was the only one who knew what they were about to face. As soon as the children turned the corner into the second room in the far side of the cavern, I crawled into the ducts. I climbed for a little while, trying to get my bearings – the second floor was fluid, and always shifting, but the vents the duct opened into to it remained the in the same places, albeit pretty hard to remember. I finally stopped at a vent that I thought I remembered, and pulled myself through. Before I closed the grate, I banged on the duct, and waited for the response from the safe room. Instead I heard an unmistakable sound - the cargo door unexpectedly slamming shut. I suddenly remembered the blast furnace with the bones, and realized that I had just sent a huge group of children into that room. I let the wave of fear wash over me, knowing that the scent of it would start drawing the second floor’s attention towards me. I knew I had to be careful – if I let myself get complete control of my mind, the watchers would forget about me and refocus their attention on the other two entrances, where the fear was washing off of people in waves – but if I let myself be consumed by my fear, I could be here forever – or maybe find myself in the yard, but having left all of my followers behind me. Neither of these was something I could allow, so I paced myself, let fear start to overcome me, but then slowly burying it again. After a few seconds, I heard the response from the safe room – the other team was on their way.

You know how when you are having something terrible done to your teeth (like a root canal or a crown extension) but they don’t put you under, you sort of drift off in a haze? When the procedure is finally finished, you can’t really remember much of it, or even how much time it took. I think this is some kind of defense mechanism in your brain, protecting you from memories that you don’t want to have. It locks them away in an unused part of your brain, and throws away the key.

The second floor has that key. Every single moment of unbearable pain, physical, emotional – every moment of excruciating embarrassment – every time that I realized that I had just hurt someone I loved – all of things you keep shut out so that you can live your life from day to day, they come drifting back. It’s not all at once, but slowly, holes in your memory that you didn’t even realize were there gradually start to fill in. Soon you start to remember just how shitty of a life you’ve really lived, and that point is only a few steps away from forgetting who you are entirely – forgetting that these horrible moments have shaped you into a different person, hopefully a better one. The only thing that keeps you sane as these thoughts insinuate themselves in the maze of the second floor is distracting yourself with the fear of what is chasing you. As I started to slip into a haze of unconscious memory, I was suddenly pulled back to my senses by a fist – my brother David punching me right in the face. He, Stephen and the rest of the group had made it through, and, unable to see in the dark, he had mistaken me for a native of the second floor. Of course, in all my years of running, it had never occurred to me that I could fight these things. With my confidence bolstered, the rest of the journey barely took any time at all. We laughed and joked along the way, defying the demons of the second floor as we made our way up the path. By the time we reached the third floor, we had all but forgotten the ominous cargo door slam, but we received a grim reminder. All of the kids were safe, but of all the adults, only Paul and Christie were left. None of the children would talk about what happened in the second cavern, and all I could get out of Paul was that he would tell me some other time. I felt a wave of guilt – I should have insisted that the other adults travel with Stephen and David, where they would have been perfectly safe – no one in our group was seriously hurt – but instead I gave them a break, let them take the easy way – and they all paid for it with their lives.

As we emerged into daylight, be looked around and saw that we were miles outside of Washington DC. Looking down into the city, we could still see the turrets at work, and what could have been zombies roaming here and there. The National Guard itself was nowhere to be seen. This was the best glimpse I got through the whole dream of these “zombies” – I still don’t know if they were a real threat or some kind of elaborate hoax or cover-up for something else. Anyway, we couldn’t afford to linger, we turned our attention northward. We could see far in the distance that the turrets were not exclusive to Washington – apparently the entire country was littered with the things, more of them in denser population, less in more rural areas. This was the path we had to traverse on the road home.



Check back soon for Part II

Sunday, October 29, 2006

Reports of my Death have been Exaggerated

Some of you may have heard what happened, most of you not, but I'm just gonna put this up so as to avoid any confusion - yesterday at about 6 am I woke up with chest pain and I couldn't breathe. I paniced around my room for a few minutes, then I had Mike drive me over to the Emergency Room. After about 6 hours in the ER, They told me that I was NOT having a heart attack, but that there was so much pressure on my chest that my ribs and muscles and whatnot had started to actually move, and that was the pressue I was feeling. My discharge intructions simply read "Do Not Smoke. Lose Weight."

Considering that I just plowed right past the first warning sign (diabetes) without so much as a glance, I think I'm gonna actually try and follow my doctor's advice this time. And hell, this way I won't even be wasting that $20 a month I pay to the gym. Anyway, I had a close call, and a wake-up call. I'm not the sort of person to take many things very seriously, but this time I'm gonna do my best to stay alive for a while longer.

Sunday, September 17, 2006

Relationships & Honesty

I just watched the film "The Last Kiss," while I crashed down from a 36-hour caffiene high brought on by too many hours at Blockbuster and Ritters. The movie was excellently produced, acted, directed, written - but it scared the hell out of me. It's about how honesty is the most important thing in a relationship - because the guy decided to "spare" his girlfriend a headache by glossing over some of the issues he was going through, he eventually ended up having an affair with this other girl - she found out, and no matter how much he apologized or begged, it couldn't change what he had done. it totally sucked. His girlfriend's father went over to talk to him about what the hell he was thinking, and the guy went on about how he knew now that it could never happen again, and the affair had only made him realize he could never love anyone but his girlfriend, etc, etc, all probably true points.... Then the father said the best line in the movie:

"It doesn't matter how you feel. Your feelings only ever matter to you. What matters to everyone else is what you do - what you do to the people you claim to love."

God that's scary. I've always treasured my feelings, and it never occured to me that other people don't treasure my feelings quite as much as I do. Like how when you liked that girl in 3rd grade you showed her by pulling her hair and teasing her, and then were baffled when she got all pissed off. I guess the moral of the story is that if you feel somthing, you shouldn't hesitate and keep it a secret - you need to demonstrate how you feel by the things you say and the way you act.

But somehow, whenever I think I'm ready to take that plunge, my cell phone ends up right back in my pocket.

Is it because I'm afraid of the repercussions of the little happy truth of now, or the potentially big and ugly truths down the road? That's the question I need to answer before my life moves forward any further. God give me the courage to be unflinchingly honest when it really counts.

All I know is, I can't stay stagnant like this much longer. Another year of the rat race - another year of cracking the same stale jokes, following the same damn routine - another year alone in Allentown will kill me.

Wednesday, September 06, 2006

Check out my song!

A song I wrote from the indie film "The Perfection Across 23rd Street" has generated enough buzz that it's going to be the Classical Track of the Day on garageband.com this Friday, September 8th. It's the main love theme from the movie, a short but sweet instrumental piece with Piano and a String Quartet.

Please go show me some love and check it out (you don't need to be registered to listen to music, but if you are registered, or you feel like registering - it's free - please leave me some sweet sweet feedback).

Again, it will be up this Friday, the 8th.

Monday, July 31, 2006

Wedding Madness

I recently just attended my first wedding of peers (The Jesses wedding doesn't count, since I didn't really know anyone there except the couple). I've come back from Anna and Jon's wedding with thoughts that I'm surprised to find - I am really starting to feel older, despite my ongoing peter pan complex.

Love is a scary thing. If a million things hadn't happened just right, they wouldn't have ever met, let alone fall in love. In order for their story to work, so many other things had to transpire - friends relationships have risen and fallen, the original group where they met (Which I'm proud to be a part of) has gone through significant changes in the relationships between the various member, even in the last few months. Especially in the last few months. One of the reasons I'm so glad that this great couple got married is that I hope it will help to solidify the workings of our little family.

But how does it all work? How do you know when you've found that person? I've come to realize recently that the thing I fear more than anything is being with someone for convenience. I think that the fear of having a marraige with no love left in it has stopped me from continuing several relationships that I've ended for no real reason. And living in fear is just no way to live. Especially not fear of love. I could totally kick love's ass in a fair fight. Anyway, here's to the happy couple. I may not be joining you anytime soon, but I'm starting to understand why you people all do what you do.