February: Finish a first draft of Lullaby
March: Begin my workshop draft of Lullaby
April: Work on my workshop draft of Lullaby
May: Finish my workshop draft of Lullaby
June: Edit Lullaby, begin shopping it to agents, begin writing a stageplay*
July: Stageplay writing
August: Stageplay writing
September: Stageplay editing
October: Arrange one (or more) of my musical compositions for an ensemble
November: Record the musical composition
December: "A Christmas Carol" production with Players of the Stage
*I'm torn between two stageplays that I've done a bunch of pre-writing for. One of them is a modern take on Little Women, set in the world of fundamentalist conservative homeschooling (which bears a surprising number of parallels to the world of trandscendentalism in which the original was set) It is a coming-of-age story about making your own place in the world and choosing your own path deliberately. The other play I might work on is a science fiction story set entirely in a small shuttle. It is a small cast - perhaps only two actors, though it might be as many as four when all is said and done. It is the story of a bounty hunter and her captive, and is about the concept of trust. I'm very excited about both of these ideas, and I plan to write them both eventually, but I'm not sure yet which one I want to write first.
Further out, I have lots of other projects planned:
- Write whichever of those stageplays I don't get to this year.
- Write and produce a feature with my frequent collaborator Jesse Kalavoda (we're working on developing a road-trip drama picture, hopefully we'll have more news on that soon)
- Finish writing Noose, my post-post-apocalyptic epic fantasy novel. Noose is set in North America about 200 years after a zombie apocalypse has destroyed the infrastructure of our society. The threat is mostly over, but society has developed into a more-nearly feudal state.
- Finish writing the sequels to both Lullaby and Noose (both are currently planned as four-book series, though Lullaby could probably be squeezed into three and Noose could certainly be expanded into a larger work).
- Write the two musicals I have on the back-burner right now. One is set in the Lullaby world. It's sort of a dystopian Grapes Of Wrath meets Finding Nemo. Something like that.
- The other is a Arthurian musical called "Four Nights." It's designed to have four different storylines happening simultaneously (and with complimentary music) in four different rooms or areas. The storylines converge in one central location several times to progress the story, and then the scenes repeat again so that the audience is able to see each of the four stories play out in whichever order they choose. The storylines are interconnected and the order in which they are watched will have a big impact on your perception of what is really going on.